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<channel>
	<title>Andy Allen-Olivar</title>
	<link>https://aallenolivar.com</link>
	<description>Andy Allen-Olivar</description>
	<pubDate>Wed, 08 Apr 2026 15:18:12 +0000</pubDate>
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		<title>Top</title>
				
		<link>https://aallenolivar.com/Top</link>

		<pubDate>Mon, 19 Mar 2018 16:33:24 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

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		<description>Info&#38;nbsp;Artist Statement &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;Index of Works</description>
		
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		<title>Header</title>
				
		<link>https://aallenolivar.com/Header</link>

		<pubDate>Mon, 19 Mar 2018 16:33:25 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

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		<description>
	
	
	

&#38;nbsp; A N D Y &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A L L E N — O L i V A R &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1283" height="983" width_o="1283" height_o="983" data-src="https://freight.cargo.site/t/original/i/538265490c0091028607a067b0a7f1368e9bdccf16e61370e5a239772b851a06/logo.jpg" data-mid="159734158" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/538265490c0091028607a067b0a7f1368e9bdccf16e61370e5a239772b851a06/logo.jpg" /&#62;



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		<title>Artist statement</title>
				
		<link>https://aallenolivar.com/Artist-statement</link>

		<pubDate>Mon, 19 Mar 2018 16:33:26 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

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ARTIST
STATEMENT 
Andy Allen-Olivar is a multimedia based artist working with photography, film, installation, text and most recently performance. 
My artistic endeavours unfold using the absence and control of light and optics – darkrooms, lightboxes, camera obscuras, dia-slideshows, burials, lost stories. Imagery to find ghosts and traces of illumination and meaning.
Using these, I aim to research feelings of ephemerality and a way of seeing. To create a constellation of details – personal, historical, observed, speculative,&#38;nbsp; overheard. The details are hard to explain, but when placed together, they become something that perhaps could be defined, but I feel something would be lost if we tried to do so. 
My work is dedicated to scientists and hoarders and those who bend their knees to see; to diggers and explorers; to what is written on the back of things, and to what is not; to unelaborated memories, and pasts which somehow rhyme with them; to pasts that are not necessarily one’s own; to history, to language and to ventriloquism, to traces and to rituals; to shortcomings; to a place changed over time; to hangovers and jet lag; to constructivist anthropology, parallel presents, slow magic; to the flavour and vividness of trying for a long time; to the thing that is missing and defines what it is missing from; to saving it for later; to the familiar, unconnected, out of reach; to myth; to proof; to knowing how something works, and still be surprised and humbled by it anyway; to hold something up to the light and feel the gravity in your feet.&#38;nbsp;
 Previously, he worked in the postal industry.



	
	




	
	
	






	
	
	
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	<item>
		<title>I tell you far too much</title>
				
		<link>https://aallenolivar.com/I-tell-you-far-too-much</link>

		<pubDate>Wed, 08 Apr 2026 14:49:30 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/I-tell-you-far-too-much</guid>

		<description>I TELL YOU FAR TOO &#38;nbsp;&#38;nbsp; MUCH&#38;nbsp;(2025)

KOIK CONTEMPORARY, CDMX, MEXICO
	
&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/18f391698bdb4ebe738e8d80e3746923d77b1ee4ae9416ee29b8a6b7b25ea58f/7.-Andy.jpg" data-mid="246970052" border="0"  src="https://freight.cargo.site/w/1000/i/18f391698bdb4ebe738e8d80e3746923d77b1ee4ae9416ee29b8a6b7b25ea58f/7.-Andy.jpg" /&#62;
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&#60;img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/dea75ed92aabb2b02521605d7dce3b539392e48bcab23c221371c563e22b2355/10.-Andy.jpg" data-mid="246970053" border="0"  src="https://freight.cargo.site/w/1000/i/dea75ed92aabb2b02521605d7dce3b539392e48bcab23c221371c563e22b2355/10.-Andy.jpg" /&#62;



	

	
		
		
	Stained glass window made of obsidian and enameled glass featuring text from a conversation with my aunt in Spanish. The text reproduces her words: 
“With that, I am almost certain that they operated on my eyes by cutting a cross. (And even though I cannot see her, I know she is tracing a cross in the air with her hands like a priest.) Yes, that thing is incredibly sharp, isn’t it? Be careful not to cut yourself!” 
										The work is illuminated with candles shining through the glass.
Part of the group show ‘Entre Azul y Buenas Noches’ with Olga Krüssenberg, Rasmus Richter and Tuva Bkörk.


•

Supported by Konstnärsnamden and&#38;nbsp;Helge Ax:son Johnsons stiftelse




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		<title>Unfortunate Trout</title>
				
		<link>https://aallenolivar.com/Unfortunate-Trout</link>

		<pubDate>Wed, 08 Apr 2026 14:49:58 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/Unfortunate-Trout</guid>

		<description>UNFORTUNATE TROUT (2025)



FOTOGRAFISKA, STOCKHOLM
	
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&#60;img width="5683" height="8272" width_o="5683" height_o="8272" data-src="https://freight.cargo.site/t/original/i/c2742fb54249c3a4ea38341aede52d926158ec17fbdf09152debad2aa2fee47d/2all.jpeg" data-mid="246970319" border="0"  src="https://freight.cargo.site/w/1000/i/c2742fb54249c3a4ea38341aede52d926158ec17fbdf09152debad2aa2fee47d/2all.jpeg" /&#62;

	 Shown in Fotografiska as part of the group show ‘Meanwhile’. A triptych of three light boxes containing archival photos, found photos, stolen photos, photos taken by the artist, collected objects, saints, gifts, debris, photocopies, tearsheets, material hidden from sight, and text etched on glass. [200 x 160 cm each]




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	<item>
		<title>Elephants After the Rain </title>
				
		<link>https://aallenolivar.com/Elephants-After-the-Rain</link>

		<pubDate>Wed, 08 Apr 2026 15:18:12 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/Elephants-After-the-Rain</guid>

		<description>ELEPHANTS AFTER THE RAIN (2024)



PUBLIC WORK, HANINGE KOMMUN
	
&#60;img width="3661" height="2480" width_o="3661" height_o="2480" data-src="https://freight.cargo.site/t/original/i/74c05221be5576749a9162955126df9c165cb9a252317a2b924874d8ce767a15/Elephants-tunnel.jpeg" data-mid="246970555" border="0"  src="https://freight.cargo.site/w/1000/i/74c05221be5576749a9162955126df9c165cb9a252317a2b924874d8ce767a15/Elephants-tunnel.jpeg" /&#62;
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&#60;img width="3661" height="2480" width_o="3661" height_o="2480" data-src="https://freight.cargo.site/t/original/i/c8fc220fa6f39bd06ae593995d0a8cd130261cc05c15e0e2b6a7b8471acd1096/_C0A7014.jpeg" data-mid="246972464" border="0"  src="https://freight.cargo.site/w/1000/i/c8fc220fa6f39bd06ae593995d0a8cd130261cc05c15e0e2b6a7b8471acd1096/_C0A7014.jpeg" /&#62;

	  Six Lightboxes
 The work tries to understand the city of Buenos Aires as a sum of its parts – with its workers rubbing dust into marvellous marble entrances, lost dogs; tunnels that will last forever and buses that never come. Inspired by Italo Calvino's 'Invisible Cities', we are shown small sun cats that catch our eye of a place that feels familiar, but maybe we have never been to, or perhaps we have dreamed something similar to it. A fictional city made up of imagery, objects, and snippets heard in passing.
•&#38;nbsp;
Supported by Haninge Kommun and Centrum För Fotografi




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	<item>
		<title>Eight Times Folded </title>
				
		<link>https://aallenolivar.com/Eight-Times-Folded</link>

		<pubDate>Fri, 30 Sep 2022 14:14:42 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/Eight-Times-Folded</guid>

		<description>EIGHT TIMES FOLDED
(2022)



GALLERI KONSTFACK, STOCKHOLM (2022)
VÄRMEVERKET, STOCKHOLM (2024)
NYE BOKBODEN, BERGEN (2024)
	
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&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/624021a4437b15a1a570a32ac1a6bdc1c3e555572971fa10f50de751b84e27d5/eight-times-folded-8-copy.jpg" data-mid="154508109" border="0"  src="https://freight.cargo.site/w/1000/i/624021a4437b15a1a570a32ac1a6bdc1c3e555572971fa10f50de751b84e27d5/eight-times-folded-8-copy.jpg" /&#62;
&#60;img width="8740" height="5827" width_o="8740" height_o="5827" data-src="https://freight.cargo.site/t/original/i/0a268e31b0420df921f1824fe159e0e6390577c749391cd4ca5f215d5c9cadce/eight-times-folded-13-copy.jpg" data-mid="154508197" border="0"  src="https://freight.cargo.site/w/1000/i/0a268e31b0420df921f1824fe159e0e6390577c749391cd4ca5f215d5c9cadce/eight-times-folded-13-copy.jpg" /&#62;
&#60;img width="6604" height="4403" width_o="6604" height_o="4403" data-src="https://freight.cargo.site/t/original/i/a3f5cfe6feb8d9c92cf90d3159e60951a6f17e2a54f819796bb9bbd44a29b392/eight-times-folded-4-copy.jpg" data-mid="154508196" border="0"  src="https://freight.cargo.site/w/1000/i/a3f5cfe6feb8d9c92cf90d3159e60951a6f17e2a54f819796bb9bbd44a29b392/eight-times-folded-4-copy.jpg" /&#62;
&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/023c7924b7f1ba1ca32f68281a8dffd12908566a9893d32e1576ab05b3b714f2/eight-times-folded-6-copy.jpg" data-mid="154508163" border="0"  src="https://freight.cargo.site/w/1000/i/023c7924b7f1ba1ca32f68281a8dffd12908566a9893d32e1576ab05b3b714f2/eight-times-folded-6-copy.jpg" /&#62;

	

	
		
		
	An exhibition of interchangeable light boxes.
The project explores photography as ventriloquism, where the voice is not quite heard clearly – perhaps as though heard through a phone call with a bad signal, or in a language you can only grasp a few words of – the television has been muted. As a result, the installation hopes to be a holistic sequence that presents itself with parallel narratives of a story being told, where these narratives sometimes are revisions rather than separate. Or that there is something missing, and the thing that is missing is the thing that defines it. Of negation and a feeling of loss, absence and insufficiency as a foundation. We are left detecting the history of a place and a time that is hard to place, impossible even. Paradigms of an adventure or an incident where the story is left out, and only the clues are left. A series of motifs – the dog in its different form for example comes as a comfort, a background character, a main character in a funeral.

There are also small interjections of text that talk of names, full names; of sounds that would go unnoticed if someone didn’t point them out; of the land swelling, and of how fish perceive the Sun. 

We are left to examine this evidence through peculiar details and the minutiae, speculative narratives, a scrutiny of a past that is not necessarily one's own. Through associations, magical realism, proofs of existence. 

This material is comprised of&#38;nbsp; archival photos, found photos, stolen photos, photos taken by the artist, collected objects, saints, gifts, debris, photocopies, tearsheets, material hidden from sight, and text is displayed inside lightboxes made up of salvaged wood, stolen wood, wood taken from a tree struck by lightning, old doors and construction planks. 
For my mother and my father; for Carlos and Ita; for my brothers Josh, Matty and Tom. Of course, of course. All of which I have the pleasure of being alike. 
•

Supported by the&#38;nbsp;Axel N Andersson's foundation




</description>
		
	</item>
		
		
	<item>
		<title>Polished Bronze</title>
				
		<link>https://aallenolivar.com/Polished-Bronze</link>

		<pubDate>Mon, 21 Nov 2022 14:43:48 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/Polished-Bronze</guid>

		<description>POLISHED BRONZE, STILL WARM TO THE TOUCH, STILL (2022)



FILM
	
&#60;img width="1280" height="718" width_o="1280" height_o="718" data-src="https://freight.cargo.site/t/original/i/643db61e94b66a83e1a3c97e80f081c68cd011bf91dd9d94a81abe4ecae76f1d/Screenshot-2022-11-21-at-17.58.40.png" data-mid="159752154" border="0"  src="https://freight.cargo.site/w/1000/i/643db61e94b66a83e1a3c97e80f081c68cd011bf91dd9d94a81abe4ecae76f1d/Screenshot-2022-11-21-at-17.58.40.png" /&#62;
&#60;img width="1280" height="715" width_o="1280" height_o="715" data-src="https://freight.cargo.site/t/original/i/71dc2aa9f5f101eac5ed48fe0d77a6e2acc9f6fbbe9515f979356ea7bd12d8ed/Screenshot-2022-11-21-at-17.58.54.png" data-mid="159752155" border="0"  src="https://freight.cargo.site/w/1000/i/71dc2aa9f5f101eac5ed48fe0d77a6e2acc9f6fbbe9515f979356ea7bd12d8ed/Screenshot-2022-11-21-at-17.58.54.png" /&#62;
&#60;img width="1276" height="715" width_o="1276" height_o="715" data-src="https://freight.cargo.site/t/original/i/d9f491ab7084bce97857ad7231ec565e941d4e9666c3186bdf9488b233abf1dc/Screenshot-2022-11-16-at-11.32.08.png" data-mid="159749890" border="0"  src="https://freight.cargo.site/w/1000/i/d9f491ab7084bce97857ad7231ec565e941d4e9666c3186bdf9488b233abf1dc/Screenshot-2022-11-16-at-11.32.08.png" /&#62;
&#60;img width="1280" height="718" width_o="1280" height_o="718" data-src="https://freight.cargo.site/t/original/i/b76920c29fbf5ca5f2711acac2ba9fa152ba0649eb944f7029494f1e52bd9500/Screenshot-2022-11-21-at-18.06.14.png" data-mid="159752156" border="0"  src="https://freight.cargo.site/w/1000/i/b76920c29fbf5ca5f2711acac2ba9fa152ba0649eb944f7029494f1e52bd9500/Screenshot-2022-11-21-at-18.06.14.png" /&#62;
&#60;img width="1280" height="718" width_o="1280" height_o="718" data-src="https://freight.cargo.site/t/original/i/99871fcae6676bf57c280311c77a9ad1656fa1393757099d96d8262d91590168/Screenshot-2022-11-21-at-18.06.04.png" data-mid="159752158" border="0"  src="https://freight.cargo.site/w/1000/i/99871fcae6676bf57c280311c77a9ad1656fa1393757099d96d8262d91590168/Screenshot-2022-11-21-at-18.06.04.png" /&#62;
&#60;img width="1280" height="717" width_o="1280" height_o="717" data-src="https://freight.cargo.site/t/original/i/a87a259648cf0013fdf967cd46bcd7f7faecfeb1a3f6c4f544b067e3118cf489/Screenshot-2022-11-21-at-18.03.30.png" data-mid="159752172" border="0"  src="https://freight.cargo.site/w/1000/i/a87a259648cf0013fdf967cd46bcd7f7faecfeb1a3f6c4f544b067e3118cf489/Screenshot-2022-11-21-at-18.03.30.png" /&#62;
&#60;img width="1280" height="716" width_o="1280" height_o="716" data-src="https://freight.cargo.site/t/original/i/25f479a686f6a34854a93b9b659c96babcec66528031ef03cbbd3b6f94220a45/Screenshot-2022-11-21-at-18.05.33.png" data-mid="159752159" border="0"  src="https://freight.cargo.site/w/1000/i/25f479a686f6a34854a93b9b659c96babcec66528031ef03cbbd3b6f94220a45/Screenshot-2022-11-21-at-18.05.33.png" /&#62;
&#60;img width="1279" height="718" width_o="1279" height_o="718" data-src="https://freight.cargo.site/t/original/i/0001e1f0f7c4fa4adc9d04937d3863666d56242b2d05fc1d276aafa8cbf4e56b/Screenshot-2022-11-21-at-18.02.43.png" data-mid="159752192" border="0"  src="https://freight.cargo.site/w/1000/i/0001e1f0f7c4fa4adc9d04937d3863666d56242b2d05fc1d276aafa8cbf4e56b/Screenshot-2022-11-21-at-18.02.43.png" /&#62;
&#60;img width="1279" height="721" width_o="1279" height_o="721" data-src="https://freight.cargo.site/t/original/i/35df80eea39884824c47b2c93914faf918f6e384118bd50d45755d9f358023b2/Screenshot-2022-11-21-at-18.00.12.png" data-mid="159752204" border="0"  src="https://freight.cargo.site/w/1000/i/35df80eea39884824c47b2c93914faf918f6e384118bd50d45755d9f358023b2/Screenshot-2022-11-21-at-18.00.12.png" /&#62;

	

	
		
		
	Short film (27 minutes)A hybrid documentary on the Welsh diaspora living in Patagonia, Argentina. A film following missing dogs, a metal detectorist, talking trees and more.&#38;nbsp;https://vimeo.com/339421098


</description>
		
	</item>
		
		
	<item>
		<title>Held up to the light</title>
				
		<link>https://aallenolivar.com/Held-up-to-the-light</link>

		<pubDate>Sun, 13 Jan 2019 02:20:58 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/Held-up-to-the-light</guid>

		<description>ARMADILLOS &#38;amp; LEOPARDS&#38;nbsp;[Held up to the Light]
(2018)




FILM
	

&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/1cd819781c11452ae1c94f2bc4fe48e13cdaaf72f7fa547feda2021f6c898c4b/Screenshot-2019-01-12-at-23.24.23.png" data-mid="32573989" border="0"  src="https://freight.cargo.site/w/1000/i/1cd819781c11452ae1c94f2bc4fe48e13cdaaf72f7fa547feda2021f6c898c4b/Screenshot-2019-01-12-at-23.24.23.png" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/86f5c8ed93e1632e886b2d2d7f811f70b8434d23b35c0ff1845e944b78368b6e/Screenshot-2019-01-12-at-23.25.34.png" data-mid="32573985" border="0"  src="https://freight.cargo.site/w/1000/i/86f5c8ed93e1632e886b2d2d7f811f70b8434d23b35c0ff1845e944b78368b6e/Screenshot-2019-01-12-at-23.25.34.png" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/c88fc525d5aec492fead870d065898965bdc3a6df2fdc50b6277bf4d5c99f3ee/Screenshot-2019-01-12-at-23.24.52.png" data-mid="32573988" border="0"  src="https://freight.cargo.site/w/1000/i/c88fc525d5aec492fead870d065898965bdc3a6df2fdc50b6277bf4d5c99f3ee/Screenshot-2019-01-12-at-23.24.52.png" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/8b652bbc9a8f424db01ad44813615966736b11d8aafdd9f62218c0e1706769cf/Screenshot-2019-01-12-at-23.25.14.png" data-mid="32573986" border="0"  src="https://freight.cargo.site/w/1000/i/8b652bbc9a8f424db01ad44813615966736b11d8aafdd9f62218c0e1706769cf/Screenshot-2019-01-12-at-23.25.14.png" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/d8d6b2fadba5ef58ae2f5dbce45aa14ffd04d7f70b123bd23137753c60de5ff0/Screenshot-2019-01-12-at-23.25.07.png" data-mid="32573987" border="0"  src="https://freight.cargo.site/w/1000/i/d8d6b2fadba5ef58ae2f5dbce45aa14ffd04d7f70b123bd23137753c60de5ff0/Screenshot-2019-01-12-at-23.25.07.png" /&#62;
&#60;img width="1280" height="800" width_o="1280" height_o="800" data-src="https://freight.cargo.site/t/original/i/9a3345fa2d54e35f2a3d6d0e21c70b3ab64a4533781178eb330d4191993ecf69/Screenshot-2019-01-12-at-23.24.09.png" data-mid="32573990" border="0"  src="https://freight.cargo.site/w/1000/i/9a3345fa2d54e35f2a3d6d0e21c70b3ab64a4533781178eb330d4191993ecf69/Screenshot-2019-01-12-at-23.24.09.png" /&#62;

	

	
		
		
	Short Film (11 minutes)In this film, we are played the familiar ritual of a metronomic slideshow projection, punctuated and interrupted with a collage of text and sound.The slides projected consist of an arrangement of both the artists and found by the artist and sounds recorded by the artist or found by the artist.The video explores ideas of time, possibility and tactility. Of internal voices, ventriloquism, memories and talk of stones.https://vimeo.com/309272982


</description>
		
	</item>
		
		
	<item>
		<title>Ladybirds</title>
				
		<link>https://aallenolivar.com/Ladybirds-1</link>

		<pubDate>Sun, 13 Jan 2019 01:37:41 +0000</pubDate>

		<dc:creator>Andy Allen-Olivar</dc:creator>

		<guid isPermaLink="true">https://aallenolivar.com/Ladybirds-1</guid>

		<description>
	
	
	
Y CUANDO FINALMENTE ENCONTRARON LAS LLAVES (CON EL LLAVERO DE UN PUEBLO QUE HACE MUCHO DESAPARECIÓ CUANDO SE CONVIRTIÓ EN UNA MINA DE ALUMINIO) Y PUDIERON ENTRAR AL APARTAMENTO NO. 9, CASI NO SE PODÍA VER EL PISO PARQUET POR LA ABUNDANCIA DE VAQUITAS DE SAN ANTONIO (2018)
GALERÍA DARWIN
	
&#60;img width="4608" height="2997" width_o="4608" height_o="2997" data-src="https://freight.cargo.site/t/original/i/cbef77b9da68664d4766cf42a042dca86eab6b54db19329a0dc42ebb206c172a/san-antonio-overview.jpg" data-mid="32572327" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cbef77b9da68664d4766cf42a042dca86eab6b54db19329a0dc42ebb206c172a/san-antonio-overview.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/7b4f35c5cdcfe9bd79c6a5463f167c72373a35a8fd596dba3e780e366a1b9d63/close-up-medium.jpg" data-mid="32572328" border="0"  src="https://freight.cargo.site/w/1000/i/7b4f35c5cdcfe9bd79c6a5463f167c72373a35a8fd596dba3e780e366a1b9d63/close-up-medium.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/bfceb3a283765aaece5c22d7cf9c8dbe592b0434f6787f5265379e4fdbaf5670/four-right.jpg" data-mid="32572330" border="0"  src="https://freight.cargo.site/w/1000/i/bfceb3a283765aaece5c22d7cf9c8dbe592b0434f6787f5265379e4fdbaf5670/four-right.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/feb3e09cdbfbd8c6ba49f07d66fcbdf8d857392bf7139bb925243aefd048ddd6/four-middle.jpg" data-mid="32572331" border="0"  src="https://freight.cargo.site/w/1000/i/feb3e09cdbfbd8c6ba49f07d66fcbdf8d857392bf7139bb925243aefd048ddd6/four-middle.jpg" /&#62;
&#60;img width="4572" height="3015" width_o="4572" height_o="3015" data-src="https://freight.cargo.site/t/original/i/d1d7fa09e8cb6633a85a842f856d1abc1c3d2b6473fd7c61244bb58d65f25d00/close-up-1-san-antonio.jpg" data-mid="32572329" border="0"  src="https://freight.cargo.site/w/1000/i/d1d7fa09e8cb6633a85a842f856d1abc1c3d2b6473fd7c61244bb58d65f25d00/close-up-1-san-antonio.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/49d48e1e82c7b43022b72f6ce52315ca97302ef7c02681d8214e054190c1614e/single.jpg" data-mid="32572334" border="0"  src="https://freight.cargo.site/w/1000/i/49d48e1e82c7b43022b72f6ce52315ca97302ef7c02681d8214e054190c1614e/single.jpg" /&#62;
&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/8a27333f424a0b6349cd5a93a4e01422ff94450c6df3ef6c703b4d2f2d8ca9e6/close-up-2.jpg" data-mid="32572335" border="0"  src="https://freight.cargo.site/w/1000/i/8a27333f424a0b6349cd5a93a4e01422ff94450c6df3ef6c703b4d2f2d8ca9e6/close-up-2.jpg" /&#62;
&#60;img width="4550" height="3047" width_o="4550" height_o="3047" data-src="https://freight.cargo.site/t/original/i/048c6f8c321d6c1718774c44f7529c181aa23421ff2c44c186439bfec1fbcf71/close-up-3.jpg" data-mid="32572333" border="0"  src="https://freight.cargo.site/w/1000/i/048c6f8c321d6c1718774c44f7529c181aa23421ff2c44c186439bfec1fbcf71/close-up-3.jpg" /&#62;

	English Title:&#38;nbsp;‘And when they finally found the keys (with the keyring from a town that long ago disappeared when it was converted into an aluminium mine) and they could enter into apartment No. 9, you could almost not see the parquet flooring due to the abundance of St Anthony’s little cows [ladybirds]
18 6x4 framed c-prints and 6 enlarged wheat pasted c-prints.





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